禪骨佛心入畫林
Meditation to Buddha

項目名稱：宏愿精舍

設計公司：世家新室內裝修有限公司

設計師：林炳男

面積：43m2

主要材料：硅酸鈣天花板、胡桃木木皮、柚木地板、日本INAX健康磚、ICI油漆、流水木、貝殼沙、玻璃、天然木精油、大理石、TOTO衛浴設備、馬可貝里磁磚

Project Name: Hongyuan Jingshe

Design Company: New Family of Interior Decoration Co., Ltd

Designer: Lin Bingnan

Size: 43m2

Material: calcium silicate ceiling, walnut veneer, teak flooring, Japanese Inax tile, ici paint, wood, shell sand, glass, wood essential oil, marble, toto sanitaryware, mark berry tile

因緣際會，宏愿精舍的本藏法師將畫室設計規劃全權交由世家新林炳男設計師負責。法師喜愛畫佛像，此次主要針對畫室、寮房以及凈房作規劃設計。在設計上，需要規劃出繪畫用的畫室以及展示佛像及名家藝術品收藏的展示空間。運用設計手法，將空間氛圍塑造成襯托藝術作品的背景。在空間意境上，希望展現出學佛者的涵養與習氣，讓法師能夠在自己的空間里充分享受悠然自在的禪定喜悅。法師的收藏品包括名銅雕家法成憲老師的作品、名雕刻家林三墨老師的佛像、臺灣華窯作品以及檜木聚寶瓶等。設計師在有限的空間里巧妙收納與展示，使空間格局流暢順達，藝術而又養眼明心。

進入玄關，迎面即見妙相莊嚴的菩薩含笑坐金蓮，可謂“入我門來一笑逢”。玄關柜側面，一尊手舞足蹈的小沙彌令人頓生歡喜之心。這是法成憲老師的作品，名為舞夢敦煌小沙彌。視線向內，可見素凈的畫室。畫室中間擺放著木制長桌條凳。長桌既是接待桌，也是法師的畫桌。桌面以臺灣早期的木門片做底，上鋪玻璃，流露出簡樸自然的氣息。畫室后方主墻上所懸掛的，是知名雕刻家林三墨老師的作品。上刻金剛經文“一切有為法，如夢幻泡影，如霧亦如電，當作如是觀”，發人深思?？臻g畫室的一側是陳列柜，用來擺放名家作品，其中有臺灣檜木鳳尾瘤聚寶瓶、陶瓷珍藏等。設計師還在畫室臨窗一側布置了一處室內小景，由石墻、流水木、貝殼沙，麻繩、樹樁頭構成。最引人注目的還是樹樁上一尊盤坐的小沙彌（也是法成憲老師的作品），閉目昂頭伸手，仿佛在感悟佛法妙韻，整個景象呈現出一種與大自然靜心呼應的藝術氛圍。

從玄關進入室內，空間不大，但收藏頗豐。沿線觸目所及，盡是名家創作。設計師以低調、質感兼具的側柏、INAX健康磚等建材做襯托背景，將各類藝術品分門別類地陳列。每一處都是停留的焦點。作品與空間恰如其分地結合，讓空間充滿佛教的藝術氣氛。

功能布局的巧妙，讓不大的室內，功能完善而又方便。比如正對繪畫用桌子的是一面素墻。前面供奉著莊嚴慈悲的地藏王菩薩，旁設名家所做的青花瓷洗手臺，方便凈手上香，可謂考慮周詳。陳列柜中間，隱藏著一扇進入臥室區的門片，以暗門的形式設計，兼顧了視覺的整體感及使用時的隱私性。

整間畫室，沉穩低調，流淌著寧靜安穩柔和的氣息，讓人可以靜下心來專心創作。當然專注于思，專心于行，本來就是佛門修行的重要法門。

By good luck, Mr. Lin Bingnan is responsible for the studio in the ownership of Master Ainsh who has a particular preference for Buddha pictures. For this reason, the studio, the dorm and the bathroom are paid more attention. Additionally, the studio needs a space big enough for josses and art collection. Meanwhile, the space environment should serve as the background of art collection and show the tolerance and habits of Buddhist practice so that the Master can fully enjoy the joy of ease in meditation. All collections such as those carved by Mr. Fa Chengxian, the bronze sculpture and josses carved by Lin Sanmo, and artworks made by Hua Kiln as well as cypress Treasure bottles. Additionally, the space must keep a liquid continuality good for eye and pleasant for heart.

On the lotus tower at the entrance sits the Bodhisattva with a solemn smiling face. Beside the entrance the sculptural figure of Buddha is a happy acolyte named Dunhuang Dancer, one piece of many sculptures made by Mr. Fa Chengxian. Then comes the peaceful studio, in the middle of which are a long wooden table benches that serve both as a working platform and a reception desk. The glass filmed desktop is of door popular in early Taiwan, showing a simple natural temperament. On the main wall hangs artwork carved by Mr. Lin Sanmo, a well-known sculptor, with lection from Vajracchedika-sutra that reads, all compounded phenomena, are illusory, are like a dream, a bubble, a shadow, the morning dew, or lightning. You should do as you see what the really thought-provoking is. And it's proper and appropriate in this place. On another side stands a showcase to display all kinds of famous works including a Treasure Bottle of Taiwan cypress and ceramics. Additionally, a view of the end stone wall, wood, shell sands, ropes, and stumps is remarkable by the window designed. What's noticeable is another cross-legged acolyte, sitting on the stump that seems absent in meditation, which is also carved by Mr. Fa Chengxian. All are in a peaceful state and echo with the quiet nature.

The space behind the entrance, though not big, is really a good collection of artworks, all made by famous artists. Materials like the platycladus orientalis, and INAX tiles, low-key and textured, serves as backdrop. The categorized varieties of artworks become the focus no matter where you are. A Buddhist environment full of art atmosphere is thus emerging.

Thanks to the ingenious layout, the small interior space functions very well. In front of the plain wall opposite to the painting desk stands the solemn Ksitigarbha Bodhisattva, also carved by a famous artist, by which is a washing station of blue and white porcelain. It's so easy and convenient to wash hands before burning incenses. In the middle of the showcase hides the door to the bedroom; such an approach serves well for vision in terms of unity and privacy. The whole space is steady and low-key, revealing a peaceful and unbuttoned atmosphere that allows people to concentrate on meditation. Paying all attention to meditation is also an important Buddhist Dharma practice.