漫漫荷風(fēng)添雅韻，山色空蒙香氣拂
Fragrant Lotus and Blue Hills

項(xiàng)目名稱：上海萬科TH樣板間

設(shè)計(jì)公司：北京集美組裝飾工程有限公司

設(shè)計(jì)師：蔡文齊

面積：579m2

Project Name: TH Sample House in Shanghai Vanke, China

Design Company: Beijing Newsdays Decoration &Constrution Co., Ltd.

Designer: Cai Wenqi

Size: 579m2

本案位于上海浦東新區(qū)藍(lán)山別墅區(qū)內(nèi)，定位為新中式庭院風(fēng)格，力求打造內(nèi)斂、低調(diào)的文人居所。設(shè)計(jì)上以“荷”為主題，寓意為“和”，強(qiáng)調(diào)雅致的生活狀態(tài)。

通過傳統(tǒng)建筑語匯的現(xiàn)代提煉，以表達(dá)空間的時(shí)尚。大氣開闊的客廳里，天頂?shù)脑寰b飾，隱隱透出貴族氣質(zhì)。低矮的沙發(fā)與原創(chuàng)臺(tái)凳的組合，卻能讓把臂言歡的親友找到最舒適的坐姿。餐廳里，水晶吊燈下，長條原木大桌，可讓十幾人列席而坐分甘同味，充滿儀式感與端莊氣度。

室內(nèi)空間開闊，但功能布局井井有條。強(qiáng)調(diào)中式庭院的氣脈，室內(nèi)外渾然一體。安坐廳內(nèi)，也能縱觀庭院內(nèi)的翠竹青青，四季花開。空間布局強(qiáng)調(diào)中軸、遞進(jìn)，主體空間對稱排列，顯現(xiàn)出整體有序，端莊大氣。氣場強(qiáng)大，仍然強(qiáng)調(diào)收斂，以厚重的材質(zhì)、天然的色系去安排空間的主體基調(diào)，每一處端景的設(shè)計(jì)，貴精而不貴多，空間內(nèi)容豐富。在不同的功能區(qū)之間合理過渡，既不顯得生疏，也體現(xiàn)主次有別。各種材質(zhì)接駁自然，互相滲透。設(shè)計(jì)風(fēng)格上統(tǒng)一而富于變化，并達(dá)到使用上的有機(jī)靈活。

將低廉的材料做特殊處理以表達(dá)傳統(tǒng)氣質(zhì)，并襯托陳設(shè)品的精致材質(zhì)之美。以造景的方式做室內(nèi)陳設(shè)藝術(shù)的裝飾，每一個(gè)功能區(qū)都有聚焦的端景，比如偏廳墻身上鑲嵌的石紋山形圖，餐廳里的傳統(tǒng)名畫長軸，廚房島臺(tái)上的不銹鋼樹根雕塑，交相輝映，又在中國傳統(tǒng)文化的韻味里達(dá)到和諧一體，彰顯出文人雅士的閑逸生活格調(diào)。

Located in the community of Blue Hills, Pudong New Area, Shanghai, this project is defined as new Chinese garden style, and strives to create a reserved, low-profile home. Lotus is taken as the theme, whose partial tone is the Chinese character of HE, meaning harmony in English, emphasizing the elegant living conditions.

The traditional architectural style is refined in modern way to express spatial fashion. The ceiling of the open, broad living room is in caisson style, revealing a faint aristocratic temperament. The set of low sofa as well as original tables and chairs allows the most comfortable sitting position. Below the crystal chandelier of the dining room is a long wood table that is big enough for a dozen people to eat together, full of a sense of ceremony and dignity.

The open interior space is functional in perfect order. The nature of the Chinese courtyard is stressed, and thus the interior and exterior is seamless. The good layout makes an interior view of green bamboo and inner seasonal flowers, and meanwhile, it emphasizes the central axis, progressive, symmetrical arrangement of the main space, revealing an orderly and magnificent overall dignity. The field, though powerful and full of strength, continues the low-profile stress;heavy materials and natural colors are used to form the main tone; end views deserve to be fine but not over; different functional areas are in a reasonable transition, not seeming strange but to distinguish the primary and the secondary. Varieties of materials are natural to fuse and penetrate. The design style is unified but full of changes, and flexible to use.

Remarkably, materials at competitive prices have conducted special treatment to convey the traditional temperament and set off the exquisite furnishings. Landscaping approach is surprisingly employed for interior decorative furnishings. Each functional area has end view for sight focus, such as the marbled mosaic painting on the side hall wall, the famous traditional paintings in the dining room, and root sculpture of stainless steel on the kitchen island table. All are mirrored and reflected, unified in the charm of traditional Chinese culture to achieve harmony and to further highlight the leisurely lifestyle of the literati.