以善結緣，俯仰天地，讓心靈寧靜泊岸Kindness to Form Ties, Universal Viewing to Acquire Peace and Tranquility

項目名稱：臺灣屏東大原邸

設計公司：譚精忠室內設計工作室

設計師：譚精忠

參與設計師：楊舒如、許玉臻、林青蓉、黃利畫

攝影師：ABS Color

面積：主棟：671m2；客棟：307m2

主要材料：鋼刷木皮、石材、鍍鈦、煙熏木地板、噴漆

Project Name: Dayuan Residence in Pingtung, Taiwan, China

Designer Company: Trendy International Interior Design

Designer: Tan Jingzhong

Assistant: Shuru Yang, Jane Hsu, Josephie Lin, Peter Huang Photographer: ABS Color

Size: Main Building: 671m2, Guest Building: 307m2

Material: steel brush veneer, stone, titanium planting, smoked wood flooring, spray paint

雖是無心插柳，卻成就一個美好家居。成就一件作品的，不在于設計師設計了什么，而在于設計師為業主設想了什么。

一個偶然的機會，業主遇到設計師譚精忠。她將這個遠在屏東，準備建設用來退休后生活的住宅，向他征詢意見。雖然此案偏遠，已經進入施作階段，但在交談中，設計師不斷感受到當時健康微恙的業主一種殷殷期盼之情，一種扶持感油然而生。這讓他帶著客觀、無所圖的態度，從業主角度來思考問題并給予建議。

譚精忠最初只是希望通過適當而中肯的建議，協助業主從期盼的理想之家找到真正的快樂，擁有一個真正寧靜的生活場所。然而最后，業主不但采納了他的建議，更直接委托他將這些建議執行，落實于室內空間規劃之中。正所謂“助人者，人恒助之”，種善因得善果。

業主購地用來做為退休生活之用，是一位虔誠的基督徒，很好客。整個基地以一人工湖泊圍繞著主要兩棟建筑——主、客棟，主棟是業主的居住之所，客棟是作為他會友聚會的地點。

譚精忠表示，許多人在累積了一定的財富之后，會向往一種與自然連結的愜意生活。這種生活不再是裝修材料的堆砌，而是一種與自然對話的休閑場景。如同此案最初規劃的構想：追求一處真正寧靜的生活場所。

設計師開始參與整個設計案之后，最大的改變是調整了室內外的連結關系。譚精忠加寬加大了建筑立面的開窗，使簡單的建筑表情更為耐看，同時也給室內一個更寬廣無遮攔的眺望視野。另外，也將原本看似坐落于空間一隅的狹小衛浴間與廚房的尺度拉大，使之與公共空間相呼應。在客棟部分則在原有套房式、較封閉的平面配置中，加入一個可以眺望整個湖面山景270度的全景露臺。譚精忠表示，這個全景露臺餐廳是最受歡迎的，幾乎所有訪客都喜歡待在這里。

譚精忠表示，所謂的風格似乎在這片明媚景色之前早已失去意義，此案中，設計師以參與式設計的概念與溝通，導入使用者的想法，以過生活的標準來建構一切。這個設計案里的總體預算經過仔細計算，以盡量減少不必要的開支。甚至連使用材料的年限都經過計算。整體沒有過多的設計鑿痕。許多硬體部分在建筑量體施作的同時，便已同步完成，免去了二次施工的需要。許多設計的琢磨，不在于替空間增加了些什么。這里反倒像是一種減法，讓空間裝修盡量刪去贅飾，同時又可引入戶外的湖光山色作為背景。

It's rare but real that what's not meant to do in purpose can make a good outcome. This design is the same, which turns out to be a good design. And actually, a good design not lies in what's done by the designer, but in what he thinks for the owner.

When just consulted about the project under construction, located remotely and prepared as a retirement residence, Mr. Tang, though it's first time they met by chance, felt the strong expectation from the owner who then was not so healthy. With a desire of giving help, Mr. Tang felt good and comfortable to give objective suggestions from the point of owner without regard to money.

Mr. Tang, to begin with, would like to make appropriate and fair recommendations, helping the owner seek the true happiness and a peaceful life when he is retired. It was beyond expectation, however, Mr. Tang was committed to this project with his proposals all accepted and implemented. That is, a helper would always be helped. No cross, no crown.

The owner, a devout Christian, is very hospitable. And he purchased the base intended for retirement, where an artificial lake goes around the two buildings, one main building for the families and one for friends gathering.

According to Mr. Tang, people with much wealth, would be longing for a comfortable life closely related to nature, but not the kind of a pile of decoration materials. Instead, it's a casual dialogue between nature and him. And that's what the project is aimed to achieve, a pursuit of a truly peaceful life field.

The biggest change, after Mr. Tang's involved, is the link between the interior and the exterior. The application of facade windows is put more emphasis, with the simple appearance becoming more worthwhile to be enjoyed and an interior broader vision without masking the view added; additionally, the bathroom and the kitchen in the corner, original small but proportion-scaled correspond with the public space. Meanwhile, a panoramic lake terrace of 270 degree comes out of the configuration, a most popular spot where almost all visitors would like to stay.

Also according to Mr. Tang, any so-called style would fade away in such beautiful scenery. It's a project made by the concept and communication of participatory design, the application of the owner's ideas and the measure of living standard. A careful overall budget is of no unnecessary expenses. Life span of materials is calculated accurately to leave out the unnecessary design. Many hard processes are completed when building construction goes, which is bound to eliminate the consumption of a second construction. Design here is not to increase but to decrease, deleting the superfluous ornaments with the introduction of the lakes and mountains.