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2014年新題型真題

Directions: Read the following text and match each of the numbered items in the left column to its corresponding information in the right column.There are two extra choices in the right column.Mark your answers on the ANSWER SHEET.(10 points)

Emerging in the late Sixties and reaching a peak in the Seventies,Land Art was one of a range of new forms,including Body Art,Performance Art,Action Art and Installation Art,which pushed art beyond the traditional confines of the studio and gallery.Rather than portraying landscape,land artists used the physical substance of the land itself as their medium.

The British land art,typified by Richard Long's piece,was not only more domestically scaled,but a lot quirkier than its American counterpart.Indeed,while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves,Long's photograph of his work is the work.Since his “action”is in the past,the photograph is its sole embodiment.

That might seem rather an obscure point,but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects.

Long is Britain's best-known Land Artist and his Stone Circle,a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor,represents the elegant,rarefied side of the form.The Boyle Family,on the other hand,stands for its dirty,urban aspect.Comprising artists Mark Boyle and Joan Hills and their children,they recreated random sections of the British landscape on gallery walls.Their Olaf Street Study,a square of brick-strewn waste ground,is one of the few works here to embrace the commonplaceness that characterises most of our experience of the landscape most of the time.

Parks feature,particularly in the earlier works,such as John Hilliard's very funny Across the Park,in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.

Generally however British land artists preferred to get away from towns,gravitating towards landscapes that are traditionally considered beautiful such as the Lake District or the Wiltshire Downs.While it probably wasn't apparent at the time,much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood.Derek Jarman's yellow-tinted film Towards Avebury,a collection of long,mostly still shots of the Wiltshire landscape,evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.

In the case of Hamish Fulton,you can't help feeling that the Scottish artist has simply found a way of making his love of walking pay.A typical work,such as Seven Days,consists of a single beautiful black-and-white photograph taken on an epic walk,with the mileage and number of days taken listed beneath.British Land Art as shown in this well selected,but relatively modestly scaled exhibition wasn't about imposing on the landscape,more a kind of landscape-orientated light conceptual art created passing through.It had its origins in the great outdoors,but the results were as gallery-bound as the paintings of Turner and Constable.

41.Stone Circle

42.Olaf Street Study

43.Across the Park

44.Towards Avebury

45.Seven Days

[A] originates from a long walk that the artist took.

[B] illustrates a kind of landscape-orientated light conceptual art.

[C] reminds people of the English landscape painting tradition.

[D] represents the elegance of the British land art.

[E] depicts the ordinary side of the British land art.

[F] embodies a romantic escape into the Scottish outdoors.

[G] contains images from different parts of the same photograph.

答案解析

[A]起源于這個藝術家的漫長的步行

[B]闡明了一種地景光線概念藝術

[C]使人們想起英國地景繪畫的傳統

[D]代表了英國地景藝術的優雅

[E]描繪了英國地景藝術的平常面

[F]體現了一次向蘇格蘭戶外的浪漫逃離

[G]包含同一張照片不同部分的圖像

41.D【解題思路】根據題干專有名詞將答案定位至原文第四段:Long is Britain's best-known Land Artist and his Stone Circle,a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor,represents the elegant,rarefied side of the form.D選項represents the elegance of the British land art 出現詞匯復現信息,即represents和elegant(elegance同根詞),故D為答案。

42.E【解題思路】根據題干專有名詞將答案定位至原文第四段:Their Olaf Street Study,a square of brick-strewn waste ground,is one of the few works here to embrace the commonplaceness that characterises most of our experience of the landscape most of the time.各選項中除了landscape多次出現,沒有出現其他直接復現信息,因此考生需要重點理解commonplaceness這個單詞的意思,common-placeness意為“平凡,尋常,世俗”。瀏覽各個選項,E選項中的ordinary和其為同義替換。故正確答案為E。

43.G【解題思路】根據題干專有名詞將答案定位至原文第五段:Parks feature,particularly in the earlier works,such as John Hilliard's very funny Across the Park,in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.G選項中的images和different parts of the same photograph屬于原文信息詞復現,顯然正確答案為G。

44.C【解題思路】根據題干專有名詞將答案定位至原文第六段:Derek Jarman's yellow-tinted film Towards Avebury,a collection of long,mostly still shots of the Wiltshire landscape,evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.C選項中的English landscape painting tradition對應原文中的tradition of English landscape,故正確答案為C。

45.A【解題思路】根據題干專有名詞將答案定位至原文第七段:A typical work,such as Seven Days,consists of a single beautiful black-and-white photograph taken on an epic walk,with the mileage and number of days taken listed beneath.A選項中的originates from 對應原文中的taken on,a long walk對應原文中的an epic walk,故正確答案為A。

參考譯文

地景藝術在60年代末興起,70年代達到頂峰。它是新興的藝術形式中的一種,其他還包括人體藝術、表演藝術、行為藝術和裝置藝術。這種藝術形式打破了傳統畫室和美術館的限制。地景藝術家以大地的實物形態為載體,而不是去描繪地理景觀。

英國的地景藝術以理查德·朗的作品為代表,不僅在國內大規模推廣,而且比其美國同行要稀奇古怪得多。事實上,雖然你可能會認為地景藝術展覽會展出的只是作品記錄而不是作品本身,但朗拍攝的作品照片本身就是作品。因為他的“行為”已成為過去式,而照片是唯一的藝術載體。

這個觀點似乎很含糊,但是它卻為包含了很多黑白照片和相對較少的自然物體的展覽會定下了基調。

朗是英國最著名的地景藝術家,他的作品《石環》,一個來自波蒂斯黑德海灘且略帶紫色的完美巖石環,靜臥在畫廊地板上,它代表著地景藝術高雅純凈的一面。而另一方面,《博伊爾家族》卻代表了這種藝術形式臟亂、城市化的一面。藝術家馬克·博伊爾和瓊·希爾斯以及他們的孩子在畫廊的墻上隨機地再現英國景觀。他們創作的《奧拉夫街書房》,一個正方形廢磚場地,是為數不多的能在這里接受塵俗的作品之一,而這正是我們在大部分時間里對此景觀的感受。

尤其是在早期的作品中,公園是一大特色,如約翰·希利亞德創作的《穿越公園》非常有趣。在該作品中一個長頭發的散步者被一個漂亮的女孩以各種方式報以微笑,還被莫名其妙的攻擊,這些都在一系列圖像中,結果正好是同一張照片的不同部分。

然而一般的英國地景藝術家寧愿遠離城鎮,喜歡那些傳統上被視為美麗的地方,如湖區或威爾特郡丘陵。雖然這種傾向在當時可能并不明顯,但是這類作品大都滲透著浪漫的逃避主義色彩,類似華茲華斯這樣的作家很容易就能明白。德里克·賈曼的黃色調電影《走向埃夫伯里》用了一組長鏡頭,其中大多是對威爾特郡的靜景拍攝,這部作品使人們想起了從塞繆爾·帕爾默一直到保羅·納什的英國山水畫的傳統。

至于哈米什·富爾頓,你會不禁感慨,蘇格蘭藝術家只是發現了一種能為他們酷愛行走買單的方法。一部典型作品,如《七天》,拍攝于長途跋涉之中,是由一張漂亮的黑白照片構成的,照片的下方標注了所行的天數和步行里程。英國的地景藝術,正如此次展覽所表現的一樣,得是精心挑選的,但規模要適中,它不是強加于大地的風景,而是一種以景觀為導向、瞬間即逝的光線概念藝術。它發源于戶外,但結果就像特納和康斯特布爾的畫作一樣,與畫廊密切相關。

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