The poet found a convenient instrument for his purposes in the beautiful Quichua dialect. We have already seen the extraordinary measures taken by the Incas for propagating their language throughout their empire. Thus naturalized in the remotest provinces, it became enriched by a variety of exotic words and idioms, which, under the influence of the Court and of poetic culture, if I may so express myself, was gradually blended, like some finished mosaic made up of coarse and disjointed materials, into one harmonious whole. The Quichua became the most comprehensive and various, as well as the most elegant, of the South American dialects.9Besides the compositions already noticed, the Peruvians, it is said, showed some talent for theatrical exhibitions; not those barren pantomimes which, addressed simply to the eye, have formed the amusement of more than one rude nation. The Peruvian pieces aspired to the rank of dramatic compositions, sustained by character and dialogue, founded sometimes on themes of tragic interest, and at others on such as, from their light and social character, belong to comedy.10Of the execution of these pieces we have now no means of judging. It was probably rude enough, as befitted an unformed people. But, whatever may have been the execution, the mere conception of such an amusement is a proof of refinement that honorably distinguishes the Peruvian from the other American races, whose pastime was war, or the ferocious sports that reflect the image of it.