"What a strange role religion plays here," thought Gilbert to himself as he carried his spoon to his lips."They would on no account dine until it had blessed the soup, and at the same time they banish it to the end of the table as a leper whose impure contact they fear."During the first part of the repast, Gilbert's attention was concentrated on Father Alexis.This priestly face excited his curiosity.At first sight it seemed impressed with a certain majesty, which was heightened by the black folds of his robe, and the gold crucifix which hung upon his breast.Father Alexis had a high, open forehead; his large, strongly aquiline nose gave a manly character to his face; his black eyes, finely set, were surmounted by well-curved eyebrows, and his long grizzly beard harmonized very well with his bronzed cheeks furrowed by venerable wrinkles.Seen in repose, this face had a character of austere and imposing beauty.And if you had looked at Father Alexis in his sleep, you would have taken him for a holy anchorite recently come out of the desert, or better still, for a Saint John contemplating with closed eyes upon the height of his Patmos rock, the sublime visions of the Apocalypse; but as soon as the face of the good priest became animated, the charm was broken.It was but an expressive mask, flexible, at times grotesque, where were predicted the fugitive and shallow impressions of a soul gentle, innocent, and easy, but not imaginative or exalted.It was then that the monk and the anchorite suddenly disappeared, and there remained but a child sixty years old, whose countenance, by turns uneasy or smiling, expressed nothing but puerile pre-occupations, or still more puerile content.This transformation was so rapid that it seemed almost like a juggler's trick.You sought St.John, but found him no more, and you were tempted to cry out, "Oh, Father Alexis, what has become of you? The soul now looking out of your face is not yours." This Father Alexis was an excellent man; but unfortunately, he had too decided a taste for the pleasures of the table.He could also be accused of having a strong ingredient of vanity in his character; but his self-love was so ingenuous, that the most severe judge could but pardon it.Father Alexis had succeeded in persuading himself that he was a great artist, and this conviction constituted his happiness.This much at least could be said of him, that he managed his brush and pencil with remarkable dexterity, and could execute four or five square feet of fresco painting in a few hours.The doctrines of Mount Athos, which place he had visited in his youth, had no more secrets for him; Byzantine aesthetics had passed into his flesh and bones; he knew by heart the famous "Guide to Painting," drawn up by the monk Denys and his pupil Cyril of Scio.In short, he was thoroughly acquainted with all the receipts by means of which works of genius are produced, and thus, with the aid of compasses, he painted from inspiration, those good and holy men who strikingly resembled certain figures on gold backgrounds in the convents of Lavra and Iveron.But one thing brought mortification and chagrin to Father Alexis,--Count Kostia Petrovitch refused to believe in his genius!

But on the other hand, he was a little consoled by the fact that the good Ivan professed unreserved admiration for his works; so he loved to talk of painting and high art with this pious worshiper of his talents.

"Look, my son," he would say to him, extending the thumb, index and middle fingers of his right hand, "thou seest these three fingers: