What transport, to retrace our boyish plays, Our easy bliss, when each thing joy supplied;The woods, the mountains, and the warbling maze Of the wild books!"The Critical Review says of the following stanza (xxxiv): "Such a strange and romantic dream as may be naturally expected to flow from the extraordinary events of the day. It might, perhaps, be quoted as one of Mr. Scott's most successful efforts in descriptive poetry. Some few lines of it are indeed unrivalled for delicacy and melancholy tenderness."704. Grisly. Grim, horrible; an obsolete word, much used in old poetry. Cf. Spenser, F. Q. i. 5. 30: "her darke griesly looke;"Shakespeare, 1 Hen. VI. i. 4. 47: "My grisly countenance made others fly," etc. See also iv. 322, etc. below.

723. Played, etc. The MS. reads:

"Played on/ the bosoms of the lake, / Lock Katrine's still expanse;The birch, the wild rose, and the broom Wasted around their rich perfume ...

The birch-trees wept in balmy dew;

The aspen slept on Benvenue;

Wild were the heart whose passions' power Defied the influence of the hour."724. Passion's. The reading of the 1st ed. and that of 1821;some recent eds. have "passions'."

738. Orisons. The 1st ed. has "orison" both here and in 740(the ed. of 1821 only in the latter); but the word is almost invariably plural, both in poetry and prose--always in Shakespeare and Milton.

Canto Second.

7. A minstrel gray. "That Highland chieftains, to a late period, retained in their service the bard, as a family officer, admits of very easy proof. The author of the Letters from the North of Scotland, an officer of engineers, quartered at Inverness about 1720, who certainly cannot be deemed a favorable witness, gives the following account of the office, and of a bard, whom he heard exercise his talent of recitation:--'The bard is killed in the genealogy of all the Highland families, sometimes preceptor to the young laird, celebrates in Irish verse the original of the tribe, the famous warlike actions of the successive heads, and sings his own lyricks as an opiate to the chief, when indisposed for sleep; but poets are not equally esteemed and honored in all countries. I happened to be a witness of the dishonour done to the muse, at the house of one of the chiefs, where two of these bards were set at a good distance, at the lower end of a long table, with a parcel of Highlanders of no extraordinary appearance, over a cup of ale. Poor inspiration!

They were not asked to drink a glass of wine at our table, though the whole company consisted only of the great man, one of his near relations, and myself. After some little time, the chief ordered one of them to sing me a Highland song. The bard readily obeyed, and with a hoarse voice, and in a tune of few various notes, began, as I was told, one of his own lyricks; and when he had proceeded to the fourth of fifth stanza, I perceived, by the names of several persons, glens, and mountains, which I had known or heard of before, that it was an account of some clan battle.

But in his going on, the chief (who piques himself upon his school-learning) at some particular passage, bid him cease, and cryed out, "There's nothing like that in Virgil or Homer." Ibowed, and told him I believed so. This you may believe was very edifying and delightful'" (Scott).

15. Than men, etc. "It is evident that the old bard, with his second-sight, has a glimmering notion who the stranger is. He speaks below [311] of 'courtly spy,' and James's speech had betrayed a knowledge of the Douglas" (Taylor).

20. Battled. The reading of the 1st ed. and that of 1821;"battle" in most others. Cf. i. 626 above.

22. Where beauty, etc. The MS. has "At tourneys where the brave resort." The reference is to the tournaments, "Where," as Milton says (L'Allegro, 119), "throngs of knights and barons bold.

In weeds of peace, high triumphs hold, With store of ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend."Cf. 87 below.

26. Love's. The reading of the 1st ed. and that of 1821; most eds. have "love."29. Plaided. The plaid was properly the dress of a Highlander, though it was worn also in the Lowlands.

51. The Harper on the islet beach. "This picture is touched with the hand of the true poet" (Jeffrey).

56. As from. As if from. Cf. 64 and 83 below. This ellipsis was common in Elizabethan English. Cf. Shakespeare, Macb. ii. 2.

28:

"One cried 'God bless us!' and 'Amen' the other, As they had seen me with these hangman's hands."65. In the last sound. For the measure, see on i. 73 above.

69. His fleet. That is, of ducks. Cf. i. 239 above.

80. Would scorn. Who would scorn. See on i. 528 above.

84. Turned him. See on i. 142 above, and cf. 106 below.

86. After. Afterwards; as in Shakespeare, Temp. ii. 2. 10: "And after bite me," etc. The word is not now used adverbially of time, though we may say "he followed after," etc. The 1st ed. reads "that knight."

94. Parts. Departs; as often in poetry and earlier English. Cf.

Goldsmith, D. V. 171: "Beside the bed where parting life was laid;" Gray, Elegy, 1: "the knell of parting day," etc. On the other hand, depart was used in the sense of part. In the Marriage Service "till death us do part" is a corruption of "till death us depart." Wiclif's Bible, in Matt. xix. 6, has "therfor a man departe not that thing that God hath ioyned."103. Another step, etc. The MS. has "The loveliest Lowland fair to spy;" and the 1st ed. reads "The step of parting fair to spy."109. The Graeme. Scott has the following note here: "The ancient and powerful family of Graham (which, for metrical reasons, is here smelled after the Scottish pronunciation) held extensive possessions in the counties of Dumbarton and Stirling.

Few families can boast of more historical renown, having claim to three of the most remarkable characters in the Scottish annals.