第1章 PREFACE
- The Gilded Age
- Mark Twain
- 433字
- 2016-01-18 18:18:14
This book was not written for private circulation among friends; it was not written to cheer and instruct a diseased relative of the author's;it was not thrown off during intervals of wearing labor to amuse an idle hour. It was not written for any of these reasons, and therefore it is submitted without the usual apologies.
It will be seen that it deals with an entirely ideal state of society;and the chief embarrassment of the writers in this realm of the imagination has been the want of illustrative examples. In a State where there is no fever of speculation, no inflamed desire for sudden wealth, where the poor are all simple-minded and contented, and the rich are all honest and generous, where society is in a condition of primitive purity and politics is the occupation of only the capable and the patriotic, there are necessarily no materials for such a history as we have constructed out of an ideal commonwealth.
No apology is needed for following the learned custom of placing attractive scraps of literature at the heads of our chapters. It has been truly observed by Wagner that such headings, with their vague suggestions of the matter which is to follow them, pleasantly inflame the reader's interest without wholly satisfying his curiosity, and we will hope that it may be found to be so in the present case.
Our quotations are set in a vast number of tongues; this is done for the reason that very few foreign nations among whom the book will circulate can read in any language but their own; whereas we do not write for a particular class or sect or nation, but to take in the whole world.
We do not object to criticism; and we do not expect that the critic will read the book before writing a notice of it: We do not even expect the reviewer of the book will say that he has not read it. No, we have no anticipations of anything unusual in this age of criticism. But if the Jupiter, Who passes his opinion on the novel, ever happens to peruse it in some weary moment of his subsequent life, we hope that he will not be the victim of a remorse bitter but too late.
One word more. This is--what it pretends to be a joint production, in the conception of the story, the exposition of the characters, and in its literal composition. There is scarcely a chapter that does not bear the marks of the two writers of the book. S. L. C.
C. D. W.
麻衣神算子
爺爺教了我一身算命的本事,卻在我幫人算了三次命后,離開了我。從此之后,我不光給活人看命,還要給死人看,更要給……
棺香美人
我出生的時候,江水上漲,沖了一口棺材進了我家。十五年后,棺材打開,里面有個她……風水,命理……寫不盡的民間傳說,訴不完的光怪陸離。
與晉長安(宋軼、丞磊主演《與晉長安》原著)
大將軍之養女黎霜鎮守大晉邊疆,一次外出碰見一個奇怪的小孩,這小孩咬了她并吸了她的血。善心大發的女將軍把他回軍營養了起來,卻沒想到這孩子身上竟然大有秘密:白天是小孩,朝夕相處;夜晚化身黑面騎士,向她直球追愛。當黎霜逐漸淪陷的時候卻發現這小孩竟然是敵國世子,這戀愛還怎么談!
明朝那些事兒(全集)
《明朝那些事兒》主要講述的是從1344年到1644年這三百年間關于明朝的一些故事。以史料為基礎,以年代和具體人物為主線,并加入了小說的筆法,語言幽默風趣。對明朝十七帝和其他王公權貴和小人物的命運進行全景展示,尤其對官場政治、戰爭、帝王心術著墨最多,并加入對當時政治經濟制度、人倫道德的演義。它以一種網絡語言向讀者娓娓道出明朝三百多年的歷史故事、人物。其中原本在歷史中陌生、模糊的歷史人物在書中一個個變得鮮活起來。《明朝那些事兒》為我們解讀歷史中的另一面,讓歷史變成一部活生生的生活故事。
遲來的周先生
青梅竹馬到相看兩厭,簡橙從周聿風的肋骨變成一塊雞肋骨,成了他故事里的蛇蝎美人,惡毒女配。后來兩人解除婚約,所有人等著看她笑話,她轉身嫁給前未婚夫的小叔,那個高不可攀,無人敢染指的矜貴男人。簡橙救過周庭宴一次,求過他兩次。第一次周聿風想悔婚,她求周庭宴幫她挽留,第二次她想悔婚,她求周庭宴幫她恢復自由身。周庭宴說事不過三,救命之恩只能滿足她三個愿望,于是第三次…簡橙:“小叔,你缺老婆不?”