"So when I'm dead, dear son, there's many would do you an injury, and treat you badly; aye, in our family itself, though they smile on you now. Let you be going now, Marco. I'll miss you to close my eyes for me, but my heart will be lighter. It will so. I couldn't sleep easy, and you ill treated in this land of mine. You ask him, too, Li Po."

"Ah, sir," Marco laughed, -- "and, Li Po, what is ill treatment to me?

Sorrow's my blood brother. What I've suffered! Do you think I could suffer more?"

"I know, Marco, I know."

"Don't you think I suffer now, sir? Fourteen years she's dead now, the wee one who lay by my side in sleep. And never a word and never a sign. In the house where we were married I can see the pool and the willows and the hibiscus, but there is never a token of her,"

he broke out. "The leaves of trees cover the pavilion, the hair of the musicians is silver, and dust is on the blue and white tiles.

And she never comes to comfort pie. I can't sleep with waiting.

The stars never seem to wane, and the hoar frost comes on the grass, and I'm always waiting. Christ! Why should I go back? I've forgotten Venice. I've even forgotten my God for her!"

"Sanang," says Kubla Khan to the magician, "couldn't you do something for this poor lad?"

It was now dusk in the garden by the Lake of Cranes. . .

"I don't need any damned wizard to bring my wife to me," raged Marco Polo. "If she were to come, she would come, and I in the dark of the moon and the moorfowl calling. She would have come because my heart needed her." And he raged through the dusk by the Lake of Cranes. . .

"Now, Marco, dear lad, don't be flying off again, but remember that there is science needed to all things. And think, too, that maybe she was not permitted. The older we get, the more we understand the destiny that rules all things, with now a nudge, with now a leading finger, with now a terrible blow over the heart, and what we think at twenty-five was a trifling accident, at seventy-five we know to have been the enormous gesture of God. We are not asked when we like to be born, Marco, nor is it up to us when to die.

"And again, Marco, consider. If she were to have come to you in the dark of the moon-time, in the strange mystic hours when you can hear eternity tick like a clock, your eyes would have been not on this world, but the next. Your look would have been vacant that's now keen to discover injustice. Your body would have been flabby that's now whalebone and steel. And there would have been no memory of you in China, that's now like sweet honey in the mouth.

"Would a wee dead spirit be proud of a man, Marco, and he just crying, crying, crying, and letting the days go by while even the brown bee works, and even the grass grows that cattle may fatten and men eat?

She might be sorry, but would there be pride on her? Even a dead woman wants a strong man.

"Now, I'm not saying that the silent dead should not have a voice in our affairs when we need them. But they have wisdom, else what is the use of having died? And if the Sanang can bring her, she'll come now and join with us in asking you, now being the time she's needed.

"Child, be guided by us three ancient men. I have lived long and have knowledge of the world. Li Po has lived long and has knowledge of the heart. The Sanang has lived long, and knows the secrets of the dead. If to our three voices, who love you, there is added a sign from Golden Bells, will you leave China?"

"If there is a sign from her I'll leave China," said Marco Polo.

And it was dusk in the Garden by the Lake of Cranes.