"Perhaps you'd like it cold, by way of change?" continued the Haunted Man, correcting himself, as he remembered the peculiar temperature with which the Goblin was probably familiar.

"Time flies," said the Goblin coldly. "We have no leisure for idle talk. Come!" He moved his ghostly truncheon toward the window, and laid his hand upon the other's arm. At his touch the body of the Haunted Man seemed to become as thin and incorporeal as that of the Goblin himself, and together they glided out of the window into the black and blowy night.

In the rapidity of their flight the senses of the Haunted Man seemed to leave him. At length they stopped suddenly.

"What do you see?" asked the Goblin.

"I see a battlemented mediaeval castle. Gallant men in mail ride over the drawbridge, and kiss their gauntleted fingers to fair ladies, who wave their lily hands in return. I see fight and fray and tournament. I hear roaring heralds bawling the charms of delicate women, and shamelessly proclaiming their lovers. Stay. I see a Jewess about to leap from a battlement. I see knightly deeds, violence, rapine, and a good deal of blood. I've seen pretty much the same at Astley's."

"Look again."

"I see purple moors, glens, masculine women, bare-legged men, priggish book-worms, more violence, physical excellence, and blood.

Always blood,--and the superiority of physical attainments."

"And how do you feel now?" said the Goblin.

The Haunted Man shrugged his shoulders. "None the better for being carried back and asked to sympathize with a barbarous age."

The Goblin smiled and clutched his arm; they again sped rapidly through the black night and again halted.

"What do you see?" said the Goblin.

"I see a barrack room, with a mess table, and a group of intoxicated Celtic officers telling funny stories, and giving challenges to duel. I see a young Irish gentleman capable of performing prodigies of valor. I learn incidentally that the acme of all heroism is the cornetcy of a dragoon regiment. I hear a good deal of French! No, thank you," said the Haunted Man hurriedly, as he stayed the waving hand of the Goblin; "I would rather NOT go to the Peninsula, and don't care to have a private interview with Napoleon."

Again the Goblin flew away with the unfortunate man, and from a strange roaring below them he judged they were above the ocean. A ship hove in sight, and the Goblin stayed its flight. "Look," he said, squeezing his companion's arm.

The Haunted Man yawned. "Don't you think, Charles, you're rather running this thing into the ground? Of course it's very moral and instructive, and all that. But ain't there a little too much pantomime about it? Come now!"

"Look!" repeated the Goblin, pinching his arm malevolently. The Haunted Man groaned.

"O, of course, I see her Majesty's ship Arethusa. Of course I am familiar with her stern First Lieutenant, her eccentric Captain, her one fascinating and several mischievous midshipmen. Of course I know it's a splendid thing to see all this, and not to be seasick. O, there the young gentlemen are going to play a trick on the purser. For God's sake, let us go," and the unhappy man absolutely dragged the Goblin away with him.

When they next halted, it was at the edge of a broad and boundless prairie, in the middle of an oak opening.

"I see," said the Haunted Man, without waiting for his cue, but mechanically, and as if he were repeating a lesson which the Goblin had taught him,--"I see the Noble Savage. He is very fine to look at! But I observe under his war-paint, feathers, and picturesque blanket, dirt, disease, and an unsymmetrical contour. I observe beneath his inflated rhetoric deceit and hypocrisy; beneath his physical hardihood, cruelty, malice, and revenge. The Noble Savage is a humbug. I remarked the same to Mr. Catlin."

"Come," said the phantom.