03 Duting Garden Reception Center都廳苑接待中心

設計公司：動象國際室內裝修有限公司

設計師：譚精忠

地點：中國臺灣

面積：1075m2

材料：磐多磨、鋼刷染色木皮、鍍鈦不銹鋼、鋼琴烤漆、灰鏡、大理石、拋光磚、柚木板、地毯等

"Crossover" is a challenging concept of creation and a form of expression nowadays. When the elements from different fields break the existing framework and shuttle at all levels like fashion, car, art and literature as well as technology, etc. the stunning creativity is often inspired. However, if there were two elements which have conflict and contradiction essentially, could they still make cross-border combination? In this case, the designer uses a new perspective view and thinking logic to cut to the design of reception center, and firstly sets into the theme of the planning exhibition, and then leads into spatial planning and functions of use to get the connection and balance between art exhibition and business sales. In the opposite of design surface, the concept of "class museum" is adopted as the layout of space, which gathers "Asian Contemporary New Art forces" including 21 designers' 30 works from Mainland China, Japan, Korea, Philippines, Indonesia and more than half of Chinese Taiwan contemporary artists as the exhibition proposition and space content. In the space frame with three units and two floors, the shaping space and atmosphere of dialogue and exchange between people and arts lead the user of space into the field interweaving and integrating the artistic appreciation, space structure and life style, then narrowing the distance between the public and works of art and enhancing the recognition for Taiwan contemporary artists.

“Crossover”，一個時下具挑戰性的創作概念與表現形式，當來自不同領域的元素，打破既有的框架并穿梭在各個層面，時尚vs汽車、藝文vs科技……往往激發出令人驚艷的創意。但若是兩個本質上存在沖突與矛盾的元素，是否仍然可以作跨界的結合？本案以新的觀察角度與思考邏輯切入接待中心的設計，先置入策劃展覽的主題，再導入空間規劃與使用功能，企圖在藝術展覽與商業銷售之間取得連結與平衡點，對應在設計面以“類美術館”的概念作為空間的布局，將集結中國大陸、日本、韓國、菲律賓、印尼與超過半數的中國臺灣當代藝術家共21位、30余件作品的“亞洲當代藝術新勢力”作為展覽的命題與空間內容。在3個單位、2個樓層的空間框架中，形塑空間、人與藝術品對話交流的氛圍，引領空間使用者進入藝術欣賞、空間涵構與生活品味交織融合的場域，進而拉近大眾與藝術品之間的距離，提升對臺灣當代藝術家的認同。

門廳以無接縫的磐多磨地坪搭配純白色的連續墻面作為空間背景，40坪的空間僅陳設3件作品：胡棟民回旋成圈的不繡鋼雕塑《流水》，常陵氣勢恢宏的《山水大宏圖》與李真饒富童趣的《無憂國土》。透過線條純粹、尺度寬廣的大廳空間，提供藝術品展現內在意涵與觀賞者發揮無限想像的場所。走道一側的白色大理石咖啡吧臺周邊分別展示林建榮的搖頭人偶《ZZZ-lV轉頭》、徐曉燕的油畫《盛開》與牟柏巖的樹脂雕塑《天空》。其中，設計者借由端景墻上傾倒歪斜的墻體和天空的背景圖像，進一步詮釋《天空》掙扎向上攀爬的視覺效果，并透過鏡面不繡鋼的反射影像，將視角看不見的上方面部表情傳達給觀賞者，引起觀賞者的會心一笑與共鳴。

白色的鋼骨樓梯蜿蜒向上，連通接待中心上下樓層。設計者規畫懸吊樓梯的結構鋼纜作為投影屏幕，使林冠名的影片作品《泉》的影像與聲音在鋼纜之間流轉穿梭，搭配樓梯本身的斜向支撐、不規則造型和胡棟民的不繡鋼雕塑《迎面》，將樓梯轉化為一座聲光具備的巨型裝置藝術。