08 Reception Center of Younger Real Estate, Hangzhou杭州雅戈爾接待會所

設(shè)計公司：大勻國際空間設(shè)計

設(shè)計師：陳雯婧、毛方方

地點：浙江杭州

面積：955m2

材料：鋁格柵、鋼結(jié)構(gòu)、花崗石、石材、玻化磚、強化地板、地毯、人造透光板等

About the residential sales content, the designers view it as a “l(fā)ife sale”. Because the residence is the prototype of all complex spaces. Returning to nature, it not only can be the simplest carrier, but also is the container of containing a variety of complex life modes, functions and behaviors. The Designers are always good at making things return to the most basic nature but easily fall into the complex operating skill means as well. It is very fortunate that "Reception Center of Younger Real Estate in Hangzhou" can get the substantial support of the owners and the owners adopt the designers' "visible"design tactics which are approximate to "none" – designers hope to create a "space"with the simplest technique. This is a mini building with entirely different appearances between outside and inside, occlude each other by two boxes. To the base conditions, the designers only hope that the whole building seems more light by means of shrinking and shattering. The designers also hope that the block fa?ade has a quiet, friendly and elegant atmosphere to reveal from inside to outside. The whole program plan combines "flower·reading·performing" and blends them into space. Of course, light, shadow, day and evening are the designers' important medium in the abstract meaning.

關(guān)于住宅的銷售內(nèi)容，我們把它視為一種“生活的銷售”。因為，住宅是一切復(fù)雜空間的原型。回到本質(zhì)，它既可以是一個最為單純的載體，又是一個包容著各種復(fù)雜生活模式、功能、行為的容器。設(shè)計師總是善于把事物回歸到本質(zhì)，卻又容易掉入復(fù)雜的操作技巧手段。“杭州雅戈爾接待會所”很慶幸地得到業(yè)主的大力支持，采用我們近乎于“無”的“可視”設(shè)計技巧——希望透過最為單純的手法建構(gòu)出一個空間。這是一個由兩個盒子相互咬合在室外與室內(nèi)截然不同面貌的微型建筑。從基地條件來說，只是單一地希望能借由退縮以及打碎讓整個量體更顯輕盈。街區(qū)里面也希望能夠由內(nèi)而外透露一種安靜、友善、優(yōu)雅的氣息。整個項目的規(guī)劃，則是將 “花·閱讀·展演”結(jié)合并且融入空間之中。當(dāng)然，光、影、白天、傍晚，也是我們在抽象意義里的重要媒介。

從入口轉(zhuǎn)折進入到室內(nèi)，分為左右兩側(cè)大空間。然而，挑空、挑高讓壓縮后的入口得以舒展。兩個相互對話的挑高空間所呈現(xiàn)的光影以及氣氛，各有不同也具有不同的功能屬性。在背墻的處理上，讓它獨立于整個空間正中心。同時，也銜接了左右兩側(cè)空間以及垂直的上下空間。透過不同的時間與光線的自然變換，室內(nèi)將呈現(xiàn)出多種不同的面貌與姿態(tài)，實際多于想象。在材料的運用上，盡量選擇無特征、潔凈的材料。用意無他，只希望整個空間內(nèi)外所呈現(xiàn)的都是與自然元素碰撞產(chǎn)生的結(jié)果。這是一個我們定義為 “生活美術(shù)館”的“任何空間容器”。也就是說，透過這樣的思考模式以及實體驗證，我們企望除了建筑與環(huán)境的共容關(guān)系，還能達到空間與人的心理對話。